Social
Justice and the Computer Revolution
Sam Ghandchi
Fourteen years ago, in 1989, I wrote a paper entitled "Theory
of Uniqueness Value" where I discussed the issue of social
justice in the knowledge based economies of the new upcoming civilization,
a society that is developing following the events that are commonly
referred to as the computer revolution, which I have called in a
broader context in my works as the civilization following the production
of intelligent
tools.
I have previously
shown that socialism
is as incapable as capitalism, to address the dilemma of social
justice in the 21st Century. As noted in a viewpoint
paper as early as 1989, I see the issue needs to be addressed within
the context of the social structural changes that are happening
globally and cannot be viewed as an isolated case.
And the reactionary
anti-globalization
movement is a Luddite attempt to go back to an imaginary "paradise"
of the past to solve the current problems. The left
is as sterile as the right
not only to address the issue of democracy
in the new upcoming civilization, but as I will explain below, it
is incapable of comprehending the dilemma of social justice in the
post-industrial society.
When I discussed
about "The Dilemma of Social Justice" in the Part IV of
my paper on Theory of Uniqueness Value, I hardly found anybody to
care to listen to what I was discussing. Those who were happy with
the strides of the new technologies never thought of such a dilemma
as a serious matter and thought the new developments will automatically
solve the issue of justice. On the other hand, those who still viewed
the world within the industrial paradigm just saw the issue of justice
within the industrial framework, and reminded me of the same way
the ones concerned about peasants hardly saw the need to address
the new industrial labor when industrialism started in Europe.
If the first
crisis of industrial society was needed for the industrial society
to realize that there was a need to address the issue of social
justice and the trade unions were formed in response to that reality,
the first major crisis of the post-industrial developments in the
cradle of this new society, Silicon Valley of California, is showing
to more and more participants of the new civilization that the social
side of the change will not just follow, and the issue of justice
is at the center of the debate, and old solutions like trade unions
will not work either, because the foundation of the issue of justice
in the new post-industrial world is fundamentally different from
that of the previous industrial world. What is the difference?
I had already
discussed it in "Theory
of Uniqueness Value" in 1989 that the main issue of the
dilemma of social justice is the way the works of new professions
are rewarded by being the best or being perceived as the best. At
the time I wrote the following example of the rewarding of musicians
to clarify my point:
".., a
musician who sells millions of copies of his tape gets the bulk
of the profit even though the company that buys the copyright makes
"surplus-value" from the production process. The other
musicians who are suffering and feel "exploited" would
not feel any better if the capitalist gave them all the proceeds
of their not-selling piece of music. Neither is the other capitalist
who is promoting the music of their colleague "exploiting"
them. (Even though their celebrity colleague may sometimes complain
about his contractors, he hardly feels exploited either.) In reality
it is their colleague who is reaping the fruits of the activity
of their whole social group because his work is the best (or accepted
as the best).
"The same
is true in movie production, book writing, software design, architectural
plans, etc. For simplification purposes, let's look at a capitalist/worker
model. If we had a factory with 1000 workers and only the best worker
was paid the wages of 800 workers and the rest were unpaid, would
the question of justice be related to the capitalist who does not
pay the surplus value (say equivalent to the wages of 500 workers)
or the "superworker" who is "legitimately" taking
the wages of 800 (and is still himself giving out "surplus-value"
to the owner!)
"The carpenter
of classical economists would make a table cheaper or more expensive
relative to the average cost of production. But Leonardo's Mona
Lisa is worth much, much more than its paper and ink and its "labor-time"
cost even if Leonardo was hired by the most generous employer. On
the other hand, thousands of works of art are worth less than the
paper and ink used to produce them and are dumped as trash. (Any
publisher could give you the figure for the dumped hardcovers).
It is looking for the best that justifies the fact that of one hundred
text books on the Strength of Materials, ninety-nine have to fail!
"Even if
all revenues from the sale of the product are given to the composer
of a failed music piece, the musician would still not even meet
the minimum survival needs. If the publisher of a not-so-terrific
book does not even take any "surplus value" and gives
all the proceeds to the writer, the writer will still suffer injustice
but not from the owner (manufacturer, or publisher, etc.). If his
book is really worthless, and not judged so simply because of social
trends, then even public opinion is not responsible for the injustice.
"On the
other hand, if a best-seller book pays lots of "surplus value"
to the publisher, the "superprofit" of the author is still
not comparable to that of the printer. The author will sell the
copyright for subsequent paperbacks, mass paperbacks, books-on-tape,
movies, plays, etc., if his book keeps on selling for decades. In
such cases the injustice is not due to the employer, it is not even
in the industrial work-place anymore. Instead, it is within the
creative groups themselves. When a top violinist is making money
like a millionaire and an average violinist cannot even make a minimum
wage in his profession, then the dilemma of justice is not between
the owner of the means of production and the worker, but is implicit
in the ethical principles governing the reward of creative activities
in our society.
"It is
true that the same problems of just compensation could have been
mentioned for creative professions in the Middle Ages. The crucial
differences are: the speed in which works can be eliminated and
"the best" determined (the Oscars, the Grammy's, the Pulitzers,
etc.), and the continuous rise in the significance of the creative
activities in contemporary life."
Today it is
not hard to find many examples in the Silicon Valley that are exactly
the same. Many hardware and software developers whose work were
the best or perceived as the best became billionaires and many others
whose works were not as such or were not perceived as such ended
up in poverty. So the dilemma of social justice is no longer in
the industrial sector (although that is also there but as time passes
with the predominance of knowledge based economies the justice issues
related to what I termed as related to the uniqueness value are
taking precedence in the more advanced regions of the world).
This is what
I wrote at the time about addressing the dilemma of social justice
"I think
the people who are involved in creative activities are the principle
builders of the future human civilization. The issue of justice
is a central problem to our future quality of society. Yet because
it is a problem between professional colleagues rather than between
two opposite social classes, recognition of the issue is difficult.
Star performers continue to appropriate the legitimate expectations
of the average and lower ranked performers. Even rewarding on the
basis of needs (welfare state) does not solve this problem because
it does not recognize intention as a basis for reward (such as the
intention of an anonymous composer is not legitimate for need-based
reward system which prohibits him from even composing.) The "needs"
of a well-known musician for an expensive secluded place for mediation
is the same as that of an anonymous (or even bad) musician. The
"needs" independent of intentions are meaningless for
these groups (just having food and shelter is not enough to compete
with Picasso, especially if you live in Bangladesh).
"The difference
between an advanced shoe factory and an average or a less developed
one is not much and the better than average makes a super-profit
which is soon averaged out in the industry. But the difference between
a music tape that sells one hundred copies and a hit that sells
millions, has nothing to do with averaging, etc. There is no law
that obliges such hit creators to subsidize or help the well being
of others in the same profession. He is taxed for his income as
if he had made it in manufacturing or real estate. The allocations
of money to music foundations is not directly related to the income
of the stars because it is a free country.
"In the
ethics and law of the industrial society, it is assumed, rightfully,
to expect factory owners to be taxed for the welfare and social
security of their workers and such measures are no longer viewed
as the "infringement" of freedom. But in the case of the
artist/workers, to be taxed in favor of the low paying members of
their own profession is frowned upon. I think even professional
organizations (in which celebrities usually do not participate)
are an expression of the needs of the lower ranks of such professions
to claim their share of the income. Maybe unconsciously the term
social-responsibility used by some of these organizations like Physicians
for Social Responsibility or Computer Scientists for Social Responsibility,
is more an expression of a yearning for justice for themselves!"
P.S. As far
as the issue of massive unemployment of low-skill labor which will
continue to increase; and social justice as related to that economic
reality, I have discussed it in my viewpoint
paper. Basically Welfare System that has always been government
based, has proved to make more bureaucracy than justice. But the
goal has not been wrong. There are authors like James
Albus who have proposed National Mutual Funds, using the wealth-producing
automated factories as the their source, independent of government,
to create an alternative to the existing welfare system, but until
then, in the interim, there is not choice but using the existing
welfare system more efficiently, although it will not be that effective.
Sam Ghandchi,
Publisher/Editor
IRANSCOPE
Original
Version
Written: August 9, 2003
Republished: May 13, 2007
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